Photos from the Archives
March 29, 2016
Sabar, is and has been the heartbeat of Senegal. And it is the géwël who has kept this heart beating. They have done this in settings both traditional and modern, ceremonial and social, in Senegal and throughout the world. These photos from the Géwël Tradition Project archives illustrate some of these uses. The photos presented range from the 1960s to 2002, so they each have a historic dimension as well. I want to take a moment to pay respect and homage to those in these photos who have transitioned; they live on in our collective memories which these photos are part of.
CELEBRATIONS
Tannibers, or sabar dance parties are a community celebration that gives members of the community an opportunity to dance to the sabar drums. And when the drums call, you never know who will answer.
Sometimes at events an elder in attendance will feel like playing. These are indeed special moments and as they fill the air with their music the dancers take flight.
Following independence in 1960, Senegal created a National Dance Company to promote Senegal and share its culture throughout the world. It was through géwël families that sabar was brought into the National ballet and thus first introduced to the world.
While drumming is usually done by men, women have, and do, play sabar drums.
In addition to sabar parties géwëls are often invited to play at all kinds of social events.
Géwëls have also taken sabar and Senegalese rhythms into contemporary settings, performing with a wide range of musical genres.
But first and foremost, sabar is and has been the heart beat of Senegal. This final photo is a classic and a tribute to the memory of Sing Sing Faye, Baj Géwël Ndakarou.